So I'm on a line at the supermarket.
Two women in front of me.
One of them, her total was $8.00.
The other, $3.00.
They both, of course, choose to pay
by the use of the...
MAN: Check.
Check.
Now... The fact is,
if it is a woman in front of you that's writing out the check,
you'll not be waiting long.
I have noticed that women are very fast with checks,
you know, because they write out so many checks.
The keys, they can never find in their purse.
They don't know where that is.
But the checkbook... They got that.
They never fumble for the checkbook.
They've got... The checkbook comes out of a holster.
Who do I make it out to?
[♪]
There's my I.D.
There's something about a check
that, to a man, is not masculine.
I don't know exactly what it is.
I think, to a man,
a check is like a note from your mother that says,
"I don't have any money,
"but if you'll contact these people,
"I'm sure they'll stick up for me.
"If you could just trust me this one time.
"I don't have any money, but I have these.
"I wrote on these.
Is this of any value at all?"
What's that one?
Cocoon 2: The Return.
I guess they didn't like it up there.
Maybe they came back for Chinese food.
You know Maureen Stapleton...
She gets a craving,
she's probably screaming at those aliens,
"I gotta have a lo mein."
Okay, what are we doing here?
I have seen everything.
Oh, yeah?
I don't believe you've seen this.
Oh, lovely.
Yeah.
What do you think their parents think?
So, what's your son doing now, Dr. Stevens?
Oh, he's a public fornicator.
Yes, he's a fine boy.
You know what?
This would be a funny gift for Pamela's birthday.
Pamela. Do I know her?
Yeah, you met her when we were going out.
Oh, yeah, right.
You have no idea who I'm talking about, do you?
No.
Blonde hair. Remember?
Glasses.
Have you totally blocked out
the entire time we were a couple?
Riverside Drive.
Right.
In fact...
No. Never mind.
Well, what is it?
Well, a bunch of people
are getting together tomorrow night at some bar
for her birthday,
but...
You don't wanna go to that. No. Okay.
Wait a second. Wait a second.
We could work out a little deal here.
What little deal?
I will go to that...
You go with me to a little family wedding
I have on Saturday.
A wedding?
Have you lost it, man?
My parents are coming in for this.
They're coming in?
Yeah, tomorrow.
Hey, did your father ever get that hair weave?
No, no.
Still doing the big sweep across.
Why does he do that?
Doesn't think anyone can tell.
So, come on. Do we have a deal?
A wedding?
There's a lot of people to mock.
All right. What the hell.
Great.
When you're dead, you're dead.
That's it. You're not going anywhere.
ELAINE: Come on, let's go.
Come on.
Was I supposed to bring something?
You could've.
I met her one time.
It is not necessary.
Then what did you say that for? Hi!
Hi, Pamela. You remember Jerry?
Hi. Yes, we met.
Happy birthday.
Thanks.
Everybody, this is Jerry and Elaine.
Hi. JERRY: Hi.
I didn't bring anything.
I put you two right here.
Oh, okay.
I'm sorry. I didn't know what... you know.
I didn't hear. Nobody's told me anything...
[PIANO PLAYING]
How big a tip you think it would take
to get him to stop?
I'm in for five.
I'll supply the hat.
JERRY: Uh-oh, what do we have here?
Why don't you relax and take your jacket off?
Oh, I can't.
I have a tendency to get chilly.
How masculine.
Plus, I'm wearing short sleeves.
I don't want to expose my tattoos.
She's unbelievable.
Hey, this guy says he knows Bricker.
Oh, you know Bricker.
From where?
What's going on here?
Gotta be a boyfriend.
She's too good to be alone.
What's the difference?
I can't maneuver anyway, with Elaine next to me.
How do you know Pamela?
Friend of a friend.
And you?
We went to law school together.
ELAINE: Oh, Jerry.
Oh, no. Not now.
I had this dream last night,
and you were in it.
Really? Yeah.
Oh, God. I've gotta get out of this.
You were you, but you weren't you.
No kidding.
Yeah.
Why is this happening? Please make her stop.
I think...
I think we were in my house where I grew up,
and you were standing there.
You were looking out the window.
This is brutal.
And then you turned around and you had these wooden teeth.
[MAN LAUGHS]
How do you like that?
Can I turn now? Is this over?
No, I can't, I can't.
I'm stuck.
Jerry,
are you listening to me?
Are you listening to me?
Yes. I heard you.
Elaine, what's the name of that jewelry store
you took me to that time?
Thank you, Pamela.
So you're a lawyer?
Sagman, Bennett, Robbins, Oppenheim, and Taff.
Of course, they handled my tattoo-removal lawsuit.
Oh, that was you.
Imagine, spelling "mom" with two O's.
That's very funny.
What do you do?
Comedian.
Really? Well, that explains it.
Sagman, Bennett, Robbins, Oppenheim, and Taff.
You ready?
We gotta run.
WOMAN: Happy birthday.
Goodbye, everyone.
PAMELA: Thanks for coming.
Bye.
I can't believe it. I've got nothing.
I don't even know her name.
Sagman, Bennett, Robbins, Oppenheim, and Taff.
Sagman, Bennett, Robbins, Oppen...
Sagman... Bennett, Robbins...
Ro...
JERRY: That wasn't so bad, really.
You know, um...
You could use a little work on your manners.
Why, what did I do?
Well, I just don't appreciate these little courtesy responses,
like I'm selling you aluminum siding.
I was listening.
No, you couldn't wait to get back
to your little... conversation.
No. You were talking about the, um, the dream you had
where you were, um... You had wooden teeth.
No! No! You had wooden teeth.
You had wooden teeth.
I didn't have wooden teeth. You did.
All right, so I had wooden teeth. So what?
So... so nothing. Nothing.
Apparently, Plato,
who came up with the concept of the platonic relationship,
was pretty excited about it.
He named it after himself.
He said, "Yeah, I got this new thing...
"platonic.
"My idea, my name, calling it after myself.
"What I do is, I go out with the girls,
"I talk with them, don't do anything,
"and go right home.
"What do you think?
I think it's going to be big."
I bet you there were other guys in history
that tried to get relationships named after them,
but it didn't work.
You know, I bet you there were guys that tried to do it,
just went, "Hi, my name's Rico. Uh...
"Would you like to go to bed immediately?
Hey, it's a Riconic relationship."
Hey.
Ah, there he is.
This is what I like. See?
You come home, your parents are in your bed.
You know, Jerry, we don't have to do this.
What are you talking about?
It's fine. I love having you here.
Tomorrow, we'll go to a hotel.
Ma, will you stop?
No, why should we take over your apartment?
I don't care. I'm sleeping next door.
Your friend, Kramer, doesn't mind?
No. He's making a bouillabaisse.
So, Dad, let me ask you a question.
How many people work at these big law offices?
Depends on the firm.
If you called up and described someone,
do you think they would know who it was?
What's the matter? You need a lawyer?
No, I met someone at this party,
and I know where she works, but I don't know her name.
So why don't you ask someone who was at the party?
No, the only one I could ask is Elaine.
I can't ask her. Why not?
Because it's complicated.
There's some tension there.
He used to go with her.
Which one is she?
From Maryland.
She brought you the chocolates you didn't like.
Oh, yeah. Very alert. Warm person.
Oh, yeah, she's great.
So how come nothing materialized there?
Well, it's a tough thing to talk about.
Uh...
I don't know.
I know what it was.
You don't know what it was.
So what was it?
Well, we fight a lot for some reason.
Oh, well. Oh, well.
And there was a little problem with the physical chemistry.
Well, I think she's a very attractive girl.
Oh, she is. She absolutely is.
I can see if there was a weight problem...
No, it's not that.
It wasn't all one-sided.
You know, you can't be so particular.
Nobody's perfect.
I know, I know.
MORTY: You know, Jerry,
it's a good thing I wasn't so particular.
Idiot.
So who are you looking for, Sophia Loren?
That's got nothing to do with it.
How about Loni Anderson?
Where do you get Loni Anderson?
Why, what's wrong with Loni Anderson?
I like Elaine more than Loni Anderson.
What are you two talking about?
Look, Elaine just wasn't the one.
And this other one's the one?
I don't know. Maybe.
So ask Elaine there for the number.
I can't.
She'll get upset.
I never talk about other women with her,
especially this one tonight.
How could you still see her if you're not interested?
We're friends.
You don't sound like you're friends to me.
If you were friends,
you'd ask her for the number.
Do you know where this other one works?
Oh, yeah.
So, go up to the office.
Up to her office?
Go to the building.
She goes out to lunch, doesn't she?
I guess.
So you stand in the lobby
by the elevator
and wait for her to come down for lunch.
You mean, stake out the lobby?
Morty, that's ridiculous.
Just ask Elaine for the number.
He doesn't wanna ask Elaine for the number.
So you got him standing by the elevator
like a dope.
What happens when he sees her?
He pretends he bumped into her.
You know what?
This is not that bad an idea.
What does she look like?
I don't know. It's hard to say.
What actress does she remind you of?
Loni Anderson.
Loni Anderson?
What, there's something wrong with Loni Anderson?
Hey, listen.
Thanks again for running over here. I appreciate it.
Oh, yeah, sure.
I was showing a condo on 48th street.
Besides, you think I want to miss this?
I'm a little nervous.
Yeah. Me too.
If I see her, what do I say I'm doing in the building?
You came to see me.
I work in the building.
What do you do?
I'm an architect.
You're an architect?
I'm not?
I don't see architecture coming from you.
I suppose you could be an architect.
I never said that I was the architect.
Just something else.
All right. She's not even gonna ask.
If we see her, which is remote.
Well, what do you want me to say, I just wandered in here?
We're having lunch with a friend.
He works in the building.
What is his name?
Burt Har...
binson.
Burt Harbinson.
Right.
It sounds made up.
No good?
All right. Um...
Art...
Core.
Art Core.
Velay.
Corevelay?
Yeah, right.
Well, what does he do?
He's an importer.
Just imports? No exports?
He's an importer-exporter, okay?
Did Elaine ever call you back?
No, I guess she's still mad.
I don't understand.
You never talk to her about other women?
Never.
JERRY: Wait a second. That's her, on the right.
I forgot who I am. Who am I?
You're you.
We're having lunch with Art Corevelay.
Vandelay.
Corevelay.
Let me be the architect. I can do it. I can do it.
Hey, hey, uh...
Pamela's birthday party.
Didn't I see you there?
Jerry.
Sure. Hi.
Uh, this is George. I'm sorry.
Vanessa.
Nice to meet you.
Ah, Sagman, Bennett, Robbins, Oppenheim, and Taff.
That's right. Yeah.
What are you doing here?
Ah. Ah...
We're meeting a friend of ours for lunch,
works in the building.
Yeah, Art Vandelay.
VANESSA: Oh, really?
Which company?
I don't know... Company? No.
He's an importer.
Importer.
And exporter.
He's an importer-exporter.
[CLEARS THROAT]
I'm a... I'm an architect.
Really? Well, what do you design?
Uh, railroads.
I thought engineers do that.
They can.
I'm sorry you had to leave so early the other night.
Oh, me too.
My cousin had to go back to Boston.
Oh, that guy was your cousin.
Yeah...
And that woman was your...
Friend.
[CLEARS THROAT]
I'll just get a paper.
So, um... do you date immature men?
Almost exclusively.
[HELEN HUMMING]
I have no letters.
[CONTINUES HUMMING]
Ma, will you go already?
What are you doing?
Wait, I just wanna see something.
You can't look in there. We're playing.
Hi. Hi.
Good evening, Mr. Kramer.
Hey, Morty.
Salad dressing?
Look.
"Quo," is that a word?
Maybe.
Will you challenge it?
Ma, you can't look up words in the dictionary.
Dad, she's cheating.
"Quo"? That's not a word.
You're such a stickler.
Well, put something down.
You're taking 20 minutes on this.
[SIGHS]
So is Uncle Mac and Artie...
They're all coming over here before the wedding?
They'll be here at 2:00.
Oh, Elaine called.
She said she'd be here at 2:30,
and she says,
"Hope your meeting went well with Art Vandelay."
She said what?
Just what I said. Here.
She knows.
Oh, I am such a jackass.
She knows what?
She knows the whole stupid thing...
Vanessa and the elevator.
No, no, no. That won't do.
He may have the Z.
So how did she find out?
Because Vanessa probably told Pamela...
and Pamela probably told Elaine.
So, uh, what are you, afraid of her?
Yes. Yes, I am.
What else did she say on the phone?
Whatever I wrote down.
Yeah, but what was the tone in her voice?
How did she sound?
Who am I, Rich Little?
Well, she can't be too mad.
She's still coming to the wedding.
Yeah, but now I'm nervous.
Oh, stop it.
"Quone"?
Thirty, 31...
"Quone"?
No, I'm afraid I'm gonna have to challenge that.
KRAMER: No, no. You don't have to challenge.
That's a word. That's a definite word.
I am challenging it.
Quone... to quone something.
Uh-huh.
I'm not playing with you anymore.
Quone's not a word.
No good. Sorry. There it is.
Get it off.
Why did you make me put that down?
No. We need a medical dictionary.
Like a patient gets difficult, you quone him.
CAROL: You wanna get some funny material?
You ought to come down to where I work.
There's a sitcom.
You must have quite a time down there.
We got plenty of time.
Oh, I'm sorry.
I'm just waiting for someone.
Watch what you say to this guy.
He'll put it in his next act.
Yeah, yeah.
Jerry, did I tell you that I'm writing a book,
an autobiography?
Yeah, Uncle Mac, you mentioned it.
It's based on all my experiences.
That's perfect.
Could you excuse me one second?
Oh, sure. I'm sorry.
How do you do? Jerry Seinfeld.
How do you do? Elaine Bennes.
[CHUCKLES]
Um, do you wanna do this now
or you wanna wait till we get in the car?
Oh, no. Let's do it now.
All right.
The whole elevator business... Let me just explain.
Okay.
Jerry, are you going with us?
No, I'm gonna take my car.
That's why I brought the wagon.
Why the hell did I bring the wagon?
Anyway, you know why I didn't ask you?
I mean, I felt so uncomfortable,
and you were so annoyed in the cab.
Well, Jerry, I never saw you flirt with anyone before.
It was quite the spectacle.
Jerry, we'll see you there.
Bye, Elaine.
Oh, bye. Good to see you.
Oh, we didn't meet.
Oh, I'm sorry. Elaine...
This is my cousin Artie "Leveen." Levine.
CAROL: Artie!
Artie! Come on.
Yeah, Levine.
And I'm Jerry Cougar Mellencamp.
[LAUGHS]
[SIGHS]
Anyway, I admit
it was a fairly ridiculous thing to do,
but I mean,
obviously, we have a little problem here.
Yeah, obviously.
I mean, if we're gonna be friends,
we gotta be able to talk about other people.
Couldn't agree more.
Good.
Great.
Great?
Where do you get great?
It's great to talk about...
other people.
Guys.
Yeah. Uh-huh.
Yeah. Well, anybody specific?
No.
A general guy.
Oh, really? Elaine Marie Bennes.
What? No, it's not a big deal.
No, that's great. That's terrific.
No, we just met.
Doesn't matter.
What's the young man's name?
I would like to meet him.
Mm...
I don't think so.
Well, what does he do?
Is he an artisan, a craftsman,
a laborer of some sort?
Wall Street.
Ah, high finance.
Bulls, bears, people from Connecticut.
And he happens to be pretty good-looking.
All right, sir.
And he's hilarious.
Now, that's not fair.
So where did you meet this guy?
I staked out his health club.
Uh-huh.
When you're on a stakeout,
do you find it's better to stand up against the wall
or kind of crouch down behind a big plant?
You know, I think that...
even if you've had a relationship with someone,
or let's say
especially if you've had a relationship with someone,
and you try and become friends afterwards,
it's very difficult.
Isn't this?
It's hard
because you know each other so well, you know?
You know all each other's tricks.
It's like two magicians trying to entertain each other,
you know?
The one goes, "Look, a rabbit."
The other one goes, "So?"
I believe that's your card.
Look, why don't we just saw each other in half
and call it a night, okay?
[♪]